The Impossible Exists

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gaywrites:

It’s official! President Obama has signed an executive order granting workplace equality to LGBT federal workers. This is a historic day — but we’re not done yet. Next up, let’s enact workplace protections for every LGBT employee, everywhere in the country. 

(via fuckyeahlgbt)

supersonicart:

Gerhard Human, “Those Who Wander.”

Illustrator Gerhard Human (Previously on Supersonic) produced nine new illustrations for the group show “Those Who Wander" which opens this Friday, July 25th at Salon91 Contemporary Art in Cape Town, South Africa.  Check out more of the smartly styled work below:

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yagazieemezi:

The gorgeous Rwandan-Canadian model, Happy Umurerewa

Photographed by Collin Gaudet

(via mayawaffling)

(Source: facebook.com, via kissingyourclavicle)

dolphinboy420:

hey girl are u from china because im china get the hell away from you

(Source: bluelava3, via lauraleex3)

basementdemo:

My mom told me to put the dog to bed but didn’t specify which bed.

(via chase108)

archatlas:

Cosmópolis Pt.2 Aldo Crusher

sundaysbythesea:

beedomi:

sundaysbythesea:

A basic summary of my most recent trip, it was so beautiful

Wrong blog but damn, Jonnay, these are really good. You really captured Hawaii in these pics!

Thanks leina’ala! Means a lot

(via killthesefears)

archatlas:

Frank Gehry: The Musical

Dancing architectural models channel “West Side Story” as a group of artists pay homage to the architect in an unusual exhibition.

"Depending on the time you enter the massive space, you may see eight models of Gehry’s major works—the Guggenheim Abu Dhabi, Facebook’s West Campus Building, and an unrealized proposal for the National Art Museum of China, among them—engaged in a kind of ballet. Thanks to the wheels attached to the tables on which the models sit and to the rhythmic labor of a few Arles-based human handlers, the constructions have been moving since April in a dance imagined by Tino Seghal, an artist celebrated for orchestrating “constructed situations” that often involve performers and unfold over time. Their movements are set to a score by venerable French composer Pierre Boulez. Seghal gave the handlers a list of movements, but they decide which to put in motion and when. At one point, on a recent visit, as the Guggenheim Bilbao and the Disney Concert Hall came rushing together, they stopped just short of collision to twirl away in separate directions, bringing to mind a Sharks-versus-Jets situation from “West Side Story.”

Read the full article here.